A Strange and Silly Play
The Professor and I attended a performance of The Most Fabulous Story Ever Told last night at Grant Hall on the UMKC campus. It was different but at times amusing, even though it will never become a classic in the world of theater.
One of the funniest lines all evening was not spoken by one of the actors but by a middle-aged woman sitting behind me, presumably to her father after he audibly complained about the play's content. The woman said carefully and patiently, "Just remember. We're here to support Stephanie."
However, this play was much better than the one The Professor and I saw Valentine's Day evening. This play (hereafter referred to as THIS PLAY) will remain unnamed for reasons that will become evident.
First, I had looked forward to seeing THIS PLAY with great anticipation because one of the main actors, who had come to Kansas City from especially for THIS PLAY, had brilliantly portrayed his character on a long-ago canceled TV show. I thought THIS PLAY was going to be fantastic.
Second, THIS PLAY began more than half an hour late because of "technical difficulties." As the action in the play progressed, I could only imagine that the technical difficulties had involved placing the actor I had so wanted to see under an extremely cold shower, plying him with numerous cups of hot coffee, and slapping him in the face until he regained some semblance of coherence.
The actor tripped over his lines and stumbled on stage repeatedly throughout the performance. Once he even wandered out on stage when THIS PLAY obviously did not call for his presence. The Kansas City Star review had called the actor charismatic in the Wednesday night performance, but apparently any charisma had been left behind in his hotel room and replaced with a certain dazed, under-the-influence type of behavior for the Thursday night performance.
Can you tell I was bitterly disappointed?
Also, the playwright should have written a trilogy along the lines of what August Wilson did with his ten plays about the Hill District in Pittsburgh instead of cramming everything into one three-hour play. All the subplots were confusing, and the stage was crowded with too much action. Dividing THIS PLAY into three plays according to the main plots would have improved definitely improved the storytelling.
Oh, well. You can see why I felt so kindly toward The Most Fabulous Story Ever Told.
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